From the mysterious series of Many Dark Gifts Showtime “Yellowjackets” serves us, the most played of this season is, with much, music.
The show that bounces between a football partner or a football of the feet kicked in the Canadian desert of the 1990s after an accident plane the tails of the tails from the tails from the queues from the queues from the tails from, from the tail Tail . The first early pumpkins, the mass attack, the Teruca salt and much more.
In the episode of Sunday or “Yellowjackets”, the queen of Rock Alt-Rock, Alanis Morissette, will debut a version of the main song of the program, “No Return”, and has already thrown it as a single.
One of the most unexpected and successful uses of recoil music occurred in the first episode of season 2 last month, when Jeff of Warren Kole had a moment for himself in the car after an intense appointment with his wife Shauna (Melanie Lanskey) – Resort “(surely the track came out in 2000, but that does not take away the retro).
In an interview with CNN, the music supervisor of the program, Nora Felder, explained that the selection of Papa Roach songs was written and “served as a perfect physical exit for Warren whose anxious feelings were high while he was sitting alone in his garage.”
Other highlights in the script, Howver, are yours to interpret, and Felder enjoys the opportunity to match those moments with the right songs of the time.
“I immerse myself in the era and the spirit of the program of the times that I begin to build my reproduction lists for the show,” he said. “The main thing I try to keep in mind is to stay faithful to history and let me tell me what you might need musically.”
Case in question, of the same episode: the placement of the exclusive song of masters “Cornflake girl”, of his innovative second year album of 1994 “under the pink”.
The song, which properly has the lyrics “Things are being Child of Gross”, just like Teen Shauna (Sophie Nélisse) is about to feel something unthinkable, “came to mind quite fast as a possibility” for Felder.
“I felt that the lyrics of Amos could serve as an appropriate pitcher for the end of the first episode, not only as a reflection of the mental state of the young Shauna,” he said, “but also ASO as a reflection of the past and season 2 of season 2.”
Felder’s work is a challenge, in the sense that there is an ideal selection of the desire list for a duration of the song, a certain time in each script, which anyone could change
“Everyone in the team always wants the best selection of songs possible to improve the story,” he said. “When we publish (production), the common question that arises among us during the duration of the collaboration process is simply:” Do we believe we can overcome this? ”
Duration of this collaboration process, Felder says that he does not “believe that there is an exact roadmap on how to merge songs with any specific scene or story.”
“I always say:” Let the image tell you what it needs. “(I suppose Like the Wilderness?)
Another moment that feels perfectly informed to the music that is reproduced is the scene ‘Last supper’ last week of the second episode last week, which has “Climbing by the Walls” by Radiohead of its amazing “Ok Computer” of 1995 in the soundtrack.
“The song of the song seems to refer to those indescribable monsters that can live in their heads,” Felder said, referring to the strange collective hallucinations suffered by the group while cannibalizing one of his own. “I can’t think of a more perfect way to disturbly accentuate (that) scene, also known as” the party. ”
To take home how important music is for the specific environmental sensation of the “Yellowjackets”, one does not need to search beyond the super creepy trailer of season 2 for the show, which presents the exceptional and disturbing interpretation of Florence + The Machine of NO.
“I am a great admirer of ‘Yellowjackets’ and this era of music, and this song, especially, had a great impact on me, so he excited me that they asked me to interpret it in a ‘deeply disturbing’ way for the show,” Band Frontwomance.
“We really tried to add some elements of terror to this iconic song to fit the program tone. And as some of the first musical love were pop punk and Gwen Stefani, it was a dream job.”
Or his collaboration with “Yellowjackets”, also Morrisette, also felt inspired by the program.
“I see parallels between ‘Yellowjackets’ and my perspective while writing: the intensity, to go to the jugular without fear of going for the profane,” Morissette said in a statement. “I have struggled all my career to support the empowerment of women and sensibilities, and see the world through the female lens, and what is so wonderful about this program is that each letter can be dynamic and complex as it is coming to display and postponed, bequemplicated, bequelicated.