Pedro Pascal He knows what his fans want, and he is not afraid to deliver blatantly.
The 50 -year -old actor showed his biceps on a black sleeve shirt and hugs the body while attending the premiere of his latest film Eddington At the Cannes Film Festival on Saturday, March 17. The actor’s muscles, and the actor, tell the attention of innumerable fans, who could not avoid flattering Pascal’s physique through social networks.
“I liked every Tweet from Pedro Pascal since he arrived in Cannes yesterday,” @petepascal wrote in X, next to a gif from since The voice With the former member and coach of One Direction, Niall Horan hit that coveted button that returns the coach’s chairs towards the stage.
“Every time some invalidate me to find a hot 50 -year -old man, Pedro Pascal earns me even sexier and sexier than the day before,” added @Wethairjoel.
“The biceps of Pacal Pascal, that is what is tweet,” said another fan.
Pascal was also asked about the current political climate of the United States while walking through the red carpet, which also caught the attention of fans and obtained praise from the actor online.
“Fear is the way they win,” said Pascal. “So follow the stories, keep expressing and keep fighting to be who you are.
Variety He informed that Pascal’s last film received a foot ovation 5 minutes after his debut in Cannes. The film, set in May 2020 in a small town in New Mexico, changing the height of the Covid-19 pandemic, also stars Joaquín Phoenix” Emma stone” Luke Grimes” Deirdre o’connell” Micheal neighborhood and Clifton Collins Jr.
Duration A press conference in Cannes, the actor was also asked about the United States immigration policies. “Obviously, it is very scary that an actor who participates in a movie will talk about topics like this. The question is too intimidating to act, I’m not informed enough,” he added.
“I want people to be safe and to be protectted, and i want very much to the right of history. I’m an immigrant. My parents are refugees from Chile. We Fled to dictorship, and I was privileged enough to grow up in the usy, ASYLUM IN THE US, ASYLUM, ASYLUM, ASYLUM, ASYLUM, ASYLUM, ASYLUM, ASYLUM. Asylum, Asylum, Asylum, Asylum, Asylum, Asylum’s asylumt, Asylumt, asylum, asylum, asylum, asylum, asylum, asylum, asylum, asylum, asylum, asylum, asylum, asylum, asylum, asylum asylum.
Pascal added that director Aster wrote the film “in a state of fear and anxiety about the world.”
“I wanted to show how it feels to live in a world where nobody can agree on what is real,” said the actor. “Over The Last 20 Years, We’ve Fallen Into This Age of Hyper-Individualism. That Social Force That used to be central in liberal mass democracies-And added upon vision of the world-that is gone now. This is what This is what This is what This is what This is what This is What Film was for Good for Good for Good for Good for Good for Good for Good.
