From humble, crocheted thread emerges Caitlin McCormack’s alternate reality featuring tiny carcasses, encased objects, and mysterious figures. Ideas related to the cycle of death and life, mutation, and overgrowth permeate her work, most prominently through her ongoing series of skeletons (previously) resting on beds of botanicals, often arranged in groups as if a single event wiped them out simultaneously.
Through a speculative view of a post-human world, McCormack imbues her work with a sense of foreboding that contrasts the medium of crochet and its comforting, nostalgic associations. More
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