As if made of porcelain or glass, the monumental, serene faces of Arthur Maslard’s subjects fragment into sharply contrasted leaves. The French artist, also known as Ratur, draws on a background in graphic design and intimacy with nature to blend realistic features with fantastical, botanical explosions and abstract fields of color. “Every wall is challenging and different!” he says. “There is always a part of improvisation and adaptation. I would say that the most constraining factor is time.”
Maslard counts Hungarian painter István Sándorfi among his influences, honing the detailed interaction of light with flesh and folds of fabric. More
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